Advanced Live Sound Applications

Curriculum Guideline

Effective Date:
Course
Discontinued
No
Course Code
MUSC 3273
Descriptive
Advanced Live Sound Applications
Department
Music
Faculty
Language, Literature & Performing Arts
Credits
3.00
Start Date
End Term
Not Specified
PLAR
Yes
Semester Length
15 Weeks
Max Class Size
26
Course Designation
None
Industry Designation
AMA
Contact Hours

Lecture: 2 hours/week

and

Lab: 2 hours/week

Method(s) Of Instruction
Lecture
Lab
Learning Activities

Lecture, demonstration and hands-on practical experience.

Course Description
This course builds on the concepts explored in MUSC 2273: Live Sound and Recording II and introduces students to the specific skills and responsibilities of a range of intermediate professional roles in the live sound industry.
Course Content
  • The live audio team

    • overview of roles and responsibilities
    • professional skills and communication between all parts of a live production set
  • The role of the A2 (assistant) Audio Engineer

    • back of house setup with wireless microphones
    • speaker assembly
    • running cables
    • microphone stands, microphone set up
    • monitor mix operation
    • communication with performers
  • The role of the A1 (primary) Audio Engineer

    • supervising the direct setup and strike in the venue
    • setup, operation, and strike of FOH equipment
    • compiling show-specific input/output lists
    • operating audio consoles and playback during soundcheck and show
  • Technical design and specification of sound system

  • Systems Engineering

    • acoustics optimization
    • rigging and mathematics
  • System Measurement Acoustical Analysis in Real time (SMAART)

  • RF Systems

    • Setup and operation of radio frequencies in various environments
  • Work conditions, pay structures, contracting and invoicing

Learning Outcomes

Upon successful completion of the course, students will be able to:

  • Fulfill Radio Frequency (RF) technician role: set up transmitters and receivers, select appropriate frequencies and guarantee the operation of the system in a professional situation;

  • Fulfill the assistant audio engineer (A2) middle-tier audio professional role with an overview of skill-distribution, hierarchy, and structure of the live audio team;

  • Fulfill the acoustician role with a knowledge of noise, vibration, and acoustics in order to measure the room response, adjust equipment placement, tune the audio system and use electronic room correction;

  • Successfully install, optimize, maintain and breakdown the sound systems used in live performances;

  • Fulfill the front of house (FOH) engineer role by operating the mixing board located in the audience;

  • Critically analyze a work contract with sufficient knowledge to assess appropriate pay scale and conditions for the responsibilities of a given role, on-site requirements, and work safety.

 

Means of Assessment

Assessment will be based on course objectives and will be carried out in accordance with the мÓÆÂÁùºÏ²Ê¹Ù·½ÍøÕ¾ Evaluation Policy. 

An example evaluation scheme is included below.  

Practical Assignment I

Design, set up and strike an Audio Assistant A2 station for microphone/podium and ten-piece band

20%

Practical Assignment II

Set up and strike a RF station for 10 inputs and 6 outputs, set up and tune a sound system using SMAART

20%

Practical Assignment III

Set up, sound-check and operate a FOH A1 station for microphone/podium and ten-piece band

20%

Quiz

Systems Engineering, SMAART, RF

10%

Midterm Exam

Fulfill the A2 role at a simulated live event, combining six RF inputs, three RF outputs and three floor wedges

15%

Final Exam

Fulfill the A1 role at a simulated live event, using SMAART to tune the room and the Midas M32 to mix FOH

15%

 TOTAL

100%

 

 

 

Textbook Materials

N/A

Prerequisites

MUSC 2273

Or

Equivalent